Curses and cons. Magic and the mob. In Cassel Sharpe’s world, they go together. Cassel always thought he was an ordinary guy, until he realized his memories were being manipulated by his brothers. Now he knows the truth—he’s the most powerful curse worker around. A touch of his hand can transform anything—or anyone—into something else.
That was how Lila, the girl he loved, became a white cat. Cassel was tricked into thinking he killed her, when actually he tried to save her. Now that she’s human again, he should be overjoyed. Trouble is, Lila’s been cursed to love him, a little gift from his emotion worker mom. And if Lila’s love is as phony as Cassel’s made-up memories, then he can’t believe anything she says or does.
When Cassel’s oldest brother is murdered, the Feds recruit Cassel to help make sense of the only clue—crime-scene images of a woman in red gloves. But the mob is after Cassel too—they know how valuable he could be to them. Cassel is going to have to stay one step ahead of both sides just to survive. But where can he turn when he can’t trust anyone—least of all, himself?
Love is a curse and the con is the only answer in a game too dangerous to lose.
You know when you love the first book of a series so much and then the sequel lets you down? Forget that notion. It does not apply to Red Glove. Holly Black is one talented lady. The Curse Workers story remains just as captivating, if not more than, in Red Glove as it did in White Cat.
Red Glove is all about taking Cassel’s story one step further. There’s more Lila, more Daneca, more Sam, more mom, more Barron. The change is imminent, but good. Cassel shows growth; he’s not the same boy doing the same things and getting the same results. He’s learning, and you can see that through his actions. I love that about his character, because just when you think you can predict what he’ll do next, he surprises you.
Red Glove, as a whole, surprises you. It combines all the elements of a mystery and scatters them as minute details. Each character has a story that contributes to the whole. Sounds like nothing special, but Black seamlessly weaves them together, which allows for a few surprises along the way – like the Feds. Really, the contrast is great: mobsters versus a government agency. As if there weren’t already enough tension, Black throws more into the pot. But they are both neither predictable nor stereotypical. They’re these two outer forces that are always present, but do not dictate the entire story. Which is good, because if they did, then it wouldn’t be Cassel’s story to tell. I like that even though Cassel is presented with so many options, he ultimately is the one to choose his own path.
Of course, not everything’s picture perfect. I felt the Fed/Mob troubles overshadowed the real issue at hand: Cassel’s brother’s murder. Regarding that, new characters were introduced that we know little of, and I’m hoping they don’t vanish in Black Heart.
This is a very fluid sequel that has a complete beginning, middle and end. And the great thing is that while you’re satisfied with the story thus far, you’re also left unsatisfied just enough to pull you to the next book. Holly Black truly works wonders with her readers’ emotions.