Camelia’s junior year of high school is finally over…but her troubles aren’t. After she discovers a painful truth about her family, she escapes to a summer arts program in Rhode Island, determined to put family – and boyfriend – dramas behind her.
At the arts school, she gets caught up in the case of Sasha Beckerman, a local girl who’s gone missing. Even though all signs suggest that the teen ran away, Camelia senses otherwise. Eager to help the girl, she launches her own investigation. While reviewing the details online, she stumbles across a blog by someone named Neal Moche, a fellow psychometric. With Ben away, Camelia feels as if she’s found a kindred spirit in Neal. That sense of connection also makes Camelia realize how much she misses Ben, despite being committed to Adam.
But time is running out for Sasha, and Camelia will have to trust her powers more than ever. Will the lessons she has learned give her the strength to save Sasha before it’s too late?
336 pages | Published: December 18, 2012 | Hyperion Books for Children
I never really thought this would happen – giving anything in the Touch series less than four stars. But, I digress.
If anything, read this for the romance. It’s worth it, I promise.
Buuuuuuut, if you’re looking for more from Camelia, forget about it. This installment begins with a VERY CRUCIAL plot twist, which immediately takes you to the edge of your seat, but just as quickly pushes you back for the long haul. Camelia doesn’t step up to the plate enough for me. Again, I was left wishing for more character growth. We’re given so many details and bits and pieces, but they don’t add up to anything. She’s like a blank slate. And with the series being this late in the game, my expectations only become higher. And, needless to say, they weren’t fulfilled.
The mystery aspect is, as usual, enticing and invigorating. It had me scouring each word for clues. But, again, it takes center stage, rather than Camelia. I went in hoping for a little bit more from our usual cast, and was sorely disappointed. A lot of it is repetition, of Camelia trying to make sense of her powers and feelings. While I understand that this is still a process for her, as the reader I needed more. Or some sort of change. A different angle.
Just when the story starts getting good and showing signs of progression, it ends. It’s as if the only real Camelia moments are saved for the beginning and ending. For me, this is frustrating. I needed to see the bigger picture, or the purpose of it all, throughout the story. When everything hit me at the end, I still had unanswered questions and knew the characters no better than I did from when I started.
If these were meant to be purely stand-alone mystery novels, I’d be better able to forgo the lack of character development and interaction. But they’re not. Yes, they deal with stand-alone mysteries, but the overall arching plot revolves around Camelia. And if she’s a dud, her story becomes a dud.